Grimms Notes The Animation

Krunchyman★ 1

“Mirror, mirror on the wall, who is the greatest MAL user of them all?” — Krunchyman “Bitch, it surely ain’t you.” — Random Mirror “Then who?” — Krunchyman “Umm…Ryan Reynolds.” — Inconsiderate Mirror “Ryan Reynolds doesn’t have a MAL account.” — Krunchyman“Dude’s playing mother f—king Pickachu! The most popular anime character of all time. Picka, Picka, bitch!” — Stupid Ass Mirror The great majority of people have encountered fairy tales at some phase in their life. Stories such as Snow White, The Little Red Riding Hood, and Cinderella have been around for centuries, and, in fact, were compiled into a single book by Jakob and Wilhelm Grimm in 1812 (known as Grimms’ Fairy Tales — hence, the anime name, Grimms Notes). Implementing a twist on old classics is generally encouraged, in an effort to avoid banality and an overall redundant tale. Grimms Notes attempts to engage the viewer through the injection of “Chaos Tellers,” whom write events to alter the predetermined conclusions of said tales to twist fate for their own amusement. At first, it sort of sounds like an intriguing concept — since a predetermined life is rather dull — until they matched it with a terrible cast of bland, archetypal characters with no redeeming qualities to speak of. Without much background knowledge, it is quite evident that Grimms Notes followed a conventional framework that mimics the pacing of a typical video game. Each episode begins with the four heroes — Ex, Reina, Shane, and Tao — exploring a new story zone to save the main character and the various townspeople from the “Chaos Tellers.” As the story progresses, a conflict arises that forces the heroes into a battle with a final boss, per se. The boss, inevitably, is defeated by the heroes with the help of Fairy Tale powers from the protagonists that they saved in previous story zones (rinse and repeat). As a point of order, it should be recognized that this concept is remarkably similar to the Kingdom Hearts franchise. Sora, Goofy, and Donald go from world to world to save various Disney characters (most of whom can trace their origins to centuries-old fairy tales) from the heartless — humans who are turned into evil beings, a concept that Grimms Notes duplicates, unabashedly — and the evil villains whom wish to revise the course of history. As Sora defeats these villains, he gains the ability to call upon the saved hero’s for their help in his subsequent battles. “I’m suing these mother f—ker’s!” — Walt Disney “Hey, Walt. I have an idea.” — Adolf Hitler “Enough with the flaming bag of dog poo, ya crazy bastard! Now shave that snot catcher off your face and get a decent hair cut.” — Walt Disney Beside being a blatant ripoff, Grimms Notes neglects adequate character development through its 12 episode run. Too much time is dedicated to jumping from one story zone to the next, that the characters are ill-explored. The fairy tales, themselves, maintain the original skeletal framework, but a distinct Japanese influence (i.e. anime tropes) is used to give it that “oriental flare;” however, it felt like a wasted effort, because just as I do not want to see Americans staring in Japanese Samurai movies (looking your way Tom Cruz and Keanu Reeves), I also don’t want to see European tales converted into boring, hackneyed anime. Simply put: stay in yo lane.

Demundo★ 8

Just a warning note, I knew of the game and have played it at the time of its release. However, even though I did enjoy and see great potential in its story line, I still dropped playing the game pretty early on since I saw no chance of an ending to the game's plot. This review will be heavily affected by that experience. Also, this review will have heavy spoilers for the series and only serves as a view to it instead of a conclusion. If you really want to know what it's like, try the series out anyway. _________________________________________________ For the first thing, as I mentionedabove, I saw great potential in Grimms Note story line. Like you would have seen it many time in the Anime had you run through it once, basically, everyone has a book telling them what will happen in their life that only they themselves can read at birth. But there are times when exceptions do happen and our main protagonists and main antagonists are such exceptions. They have no written fate, allowing them to travel through the thick fog existing somewhere in their worlds and they can become any hero they want to fight the chaos of wherever they set foot to. Basically, they are the travelers, the adventurers in many of the "Isekai" motif series. This already implies a lot of things the moment it was introduced in the game: you, as the protagonist can be anything, can be a hero anywhere you go to, be anyone you want to which is the one thing almost no other can do. You are nothing, but you can be everything exactly because you are nothing, as long as you choose to do it. It's a rather up lifting way to see the plot. But then, if you look at it differently, it seems as though you can never really be yourself, always borrowing someone else's life to talk as your own, to act as your own. Then is it anything really good? You have no role in life so it's like you can't do anything for other people. You can choose anything you want to be, but it's always limited to what you know of, so it's not exactly like you have control over it either. Such dilemma can lead to a number one story line and this and that.... Yet. Yet, both the Anime and the original game chose a different approach to it. They want to repeat similar stories that have already succeeded in the past instead of making something new. But well, it's not exactly bad either since for an online game, repetitive is actually helping it to stay afloat to users. But for an Anime, it really kills off possibilities unlike the game. It was not any thing as atmospheric like in the game. It has a too repetitive and boring start that you can't exactly hope for anything at the end. And it played true since "every" episode was a different folk tale or well known tale somewhere right up to even last episode. Episodic as you might call it. Well, it's an online game adaptation. It should do something that isn't breaking the original game's lore. What's with the cliched protagonists and antagonists. But wait? Antagonists? Oh, right, the villains who keep bringing Chaos Tellers into a Story Zone to interfere with its story, its fate and ultimately, break them. Hm? Their motive? Well, let's see.... To fight back, to struggle against the cruel Story Teller who bestowed upon them, them all, all characters, blank or filled, a fate that keeps repeating. Red Riding Hood has to be eaten by the wolf, Cinderella bullied and driven like a slave but still might not find happiness in her marriage with the prince, John Silver has to live the life with dreams never coming true, Snow White being fed a poison apple and forgets all the love she was given so she execute the queen in the most cruel way just to become that same queen and be executed the same way by a new Snow White, Snow Queen living all alone in her cold, cold castle of ice and solitude where she is the queen, the oni and the humans can't stop killing each other and any rich will corrupt the most gullible person, Aladdin obtains wealth, power and even women to end up becoming the sultan he fought, Jeane d'Arc fights for France but then abandoned and burned to death and Jabberwock doesn't even have to himself a proper existence. The cruel in all those story is what they fight against. And they fight to defy the Story Teller, they fight to "Rebel Against the God". They fight for the equality to those characters who has the shorter straw. They fight for the have not. So that makes them righteous... I guess.... Despite the damage they might, might have and will cause. Wait? They are right? Does that mean we should side with them? No of course not. They still cause worlds, or Story Zones to collapse after all. All of the cruelty still doesn't justify an even bigger cruelty: making worlds with people living in it collapse that cease to exist. So, that's why they can not win, that why protagonist, despite all the bad thing happened to them, with only a little kindness shown to themselves, they will fight for the lives of many, even if it means trampling down on lives they might have saved or even actually saved for real. Oh, now that's a great dilemma. Only thing is that it takes too long to see and even with the hints here and there, it's still not very convincing. So, for the least, the plot was actually good. But the execution of story line was terrible. Most the stories are crammed into only 1 episode. Every hint of character backgrounds were told out loud and easy to understand despite how deep their problems are. Even the plot twist at the end is just a case of Deus Ex Machina, despite being a real shocker. Everything else was rather generic. The art and animation was clean enough. Voice acting although still don't quite sound convincing and keep cramming punch lines here and there, still good enough. The music was actually a let down since they use new pieces of music for opening and ending and only use the game main theme, which was exceptionally good, as inserted background music. Wait a minute!!! The game main theme song? Now that I think about it, Wasureji no Kotonoha really just fits in with the Anime, more than what I feel of how it fits to the game. Oh now that was clever. That actually makes more sense now. As the thought struck me, the whole series became rather clear. It was another stupid ass message but still a multi-layered message of of stupid ass messages. So, to repeat myself, if you really want to see how it is, try the series out. And if you can, try out the game main theme song too to appreciate the series a little bit more. It's Wasureji no Kotonoha and should be available somewhere since it's the internet.