ANNA (kidnapper)

oppligerfj★ 7

Independent animator Kaichi Sato & Studio Deen’s CG short film Yuukai Anna will inevitably polarize viewers depending partially on viewers’ familiarity with cinema nostalgia. The movie contains several references to the 1967 classic film The Graduate but moreover is inspired by the French New Wave. The movie seeks to condense and elevate a chic, aloof, existential coolness that directors including Truffaut, Godard, and Chabrol propagated. The entire point of the short film is cinema for the sake of cinema. Shots are deliberately composed with an emphasis on visual appearance and costume design, on color theme, and editing. The narrative is abstract, revolving around the uncertaintyof the nature and longevity of love and loneliness. Like the films of the French New Wave, the movie is meant to be taken as an atmospheric and aesthetic experience more than as a literal, realistic narrative. The use of CG further elevates the film into the realm of stylistic abstraction in which order and sameness, represented by the ex-girlfriends, the police, and the blind, is contrasted with rebellion and revolution in the form of Anna. And the two forces are manipulated by the Professor who visually appears uniform with the former group but psychologically sides with the later forces.

BiggRed★ 1

I wouldn't normally write a review warning others not to watch an anime, but this twenty-six minute "movie" got me so worked up I was yelling at my computer, appalled at the incoherent mess in front of me. If you can get past the bland, colorless world and poor animation, you will soon find that Yuukai Anna's appearance is far from the worst thing about it. Our protagonist, Anna, is a notorious kidnapper and the anime opens with her on her motorcycle busting through a stained glass window high above the altar of a packed church as a man and woman are about to seal the deal.This is where the red flags started going up for me as shards of glass are flying everywhere and nobody suffers so much as a scratch. Immediately she's riding out the church front door with the groom's hands bound on the back of her bike. The congregation meanwhile is screaming and running outside in fear EVEN THOUGH ANNA JUST LEFT as though the church were on fire (which it's not). We're supposed to believe Anna was able to land safely, park her bike, get off, overpower the groom, bind his hands, force him somehow to sit down and stay still long enough for her to get back on the bike and ride out of the church all without the bride or a single attendee attempting to stop her. At any time the groom could just hop off and run away before the bike gained too much speed, foiling the whole premise of this show. The rest of the show is just as baffling as the intro. The story makes no sense, the art is hard to look at when it's not comedically bad. There is some pleasant jazz but most of the show does nothing interesting audibly. The characters and their motivations are entirely incoherent, and there is no joy to be gained from watching this except from 9:32 where Anna makes a really funny facial expression. 1/10 since MAL can't go lower.