Attack on Titan Season 3 Part 2

lt_wassile★ 10

The unknown is always too easy labelled as a threat, and it is easy to join that particular chorus who claim it, mainly due to fear, fear of failure and concern of personal cost. On the basis of that postulate, the journey resumes for our SnK characters, as they prepare to undertake a fierce battle against those who want to annihilate humanity...however, is that these guys objective? It is well known the one-of a kind storytelling attributes this adaptation has: the understated foreshadowing –great for those who like to re-watch shows-, the captivating epicity, the more than famous plot twists; nevertheless, it never stops to amazeme the ability –and specially, in this season- they have had to build, step by step, a huge storyline that is both fascinating and enjoyable, while being able of connecting the dots that had been scattered during the 3 seasons prior to this one -all of this without making the story messy and confusing-. While I am on this subject, I have to bring to the table the marvellous combination of this storytelling with the animation and music. One of the most overlooked aspects, not only in anime, but also on the film industry, is the ability of a motion picture to use this or that piece of music, sound, silence and/or frame in this or that given moment to capture the audience and, what can I say, Shingeki no Kyojin does it extremely well on this season. Speaking about music, this asset is and has been one of SnK’s hallmarks. Not only the use of it –as I mentioned before- but the compositions per se are just one of a kind. Am I the only one who listens to them on a daily basis? And if this was not enough, WIT studio decided to bring into the equation some of the old soundtracks from season 1, which we will all agree were masterpieces. Furthermore, speaking about other technical aspects, the animation has made quite an improvement, leading to great results. This made some of the events –including fights- that took place over the course of this season something special: backgrounds were depicted in a really wonderful way, movements and facial expressions were really fluid and seemed pretty natural (including the Omni-directional mobility gear animation where camera rotations and 3D movements were executed to perfection) and pace was used fantastically well –that episode 54 fight it’s a great example, where Levi moves so fast that it takes time to the physics to actually catch up with him, making it look like he moves at the speed of light-. This, accompanied by an amazing sound design, a cast sounding as good as they do and a very good characterization, makes Shingeki no Kyojin a really wonderful series to watch. And don't forget what a banger the OP was. Moreover, I’m glad that, between the chaos of war, they have set aside some time to explore the inner conflicts of some of our characters, their convictions and motivations, the reason for them to fight, as well as exploring on how their decisions not only changed –and will change- their lives and made them who they are now, but the lives of the people around them. Characters like Levi, Armin or Erwin, who had not have so much screentime-development over the course of the show gain in importance on this season -it was about time-, without laying aside others like Eren -who finally shows a glimmer of manhood and logic-, Mikasa, or even our titanic traitors -if you know what I mean-, as they also meaningfully develop. For instance, side characters no longer feel like side characters. So, while I’m not in a position to say that I would never see something like this in awhile, I can say that this season was, hands down, a dazzling, breathtaking piece of animated work.

Krunchyman★ 3

[Spoiler Warning] Prior to season 3, little was known about the origins of the titans, as the previous seasons focused on humanity’s survival in the face of impending doom. While bits and pieces were revealed through the Reiss family history, nothing about the titan’s origins were divulged. Until now! Yet, should we be pleased with these revelations, or disappointed with the paltry character development? Because let’s face it: Attack on Titan’s (AOT’s) characters are terribly written. Starting with Eren Yeager, he’s gone from being a vengeful edge-lord who was consumed with killing titans at all costs, to a whiny, vengeful edge-lordwho can’t think beyond his emotions. Rage, sorrow, and regret is his entire range of feelings. Besides his family lineage and transformation into a Titan, he serves no other purpose in the series. After 2.5 seasons, I still don’t know who Mikasa is besides a cold-hearted, reserved girl who obviously loves Eren (that smile in episode 10, tho). She’s the female version of Levi, a proverbial bad-ass who is all style but no substance. Levi is brutally honest to his comrades and honestly brutal to the Titans. Like Mikasa, his combat skills are nonpareil to cover his overall vacuousness as a character. Also, while AOT built itself up on semi-realistic fights, it became too enamored with making Levi look ‘cool.’ His fight with the beast titan stretched the limits of human physics to the point of comical absurdity. Erwin is the veritable “go get ‘em” leader with his hardened determination and unwillingness to surrender, despite the circumstances. His laser focus on accomplishing his goals makes him very one-dimensional (CHARGE!). I understand that he was constrained by the rock throwing of the beast titan, but a full-on kamikaze ‘attack’ seemed ill-advised (CHARGE!). Correct me if I’m wrong, but why couldn’t they help capture the armored titan and colossal titan first, then wait for the beast titan inside Wall Maria?—setting up an ambush, if he decided to come. If the horses were lost, who cares! Eren could have turned into a titan and carried his comrades back to Wall Sheena or Wall Rose. As for Armin, he seemed somewhat relatable, given his initial trepidation and eventual growth as a self-confident strategist. But overall, he came off as extremely plain and ill-explored. Furthermore, due an in-universe plot device (i.e. the titan’s regenerative powers), his ‘sacrifice’ lost all emotional impact; speaking of which, it was humorous when Floch started calling everyone out at the award ceremony for being complicit in Erwin’s death. Dude knew how to rain on everyone’s parade at exactly the worst possible moment. But in all seriousness, it was a contrived rant that felt soap-opera-esque to drum up tension in a jejune final episode. As for the aforementioned revelations — a primary reason a preponderance of people are watching AOT — they were interesting, but not enough so to counteract the paltry characters. You can only ‘horrify’ the viewer so many times before they become desensitized to it. Moreover, the progressively foreboding tone made the story feel mechanical. A good story needs to have some irrational flexibility, otherwise its contrivances felt forced and theatrical. The introduction of titan lore was fascinating and made sense within the context of the story; however, the overuse of ‘shock and awe’ has made Attack on Titan rather predictable. While the animation exceeded most expectations, it should be noted that the colossal titan had some jankey aesthetics. The OP was a rehash of "Guren no Yumiya” — a creative block? — and the overall pacing was atrocious. It seemed like whenever the Survey Corps were in a battle, there was a million flashbacks that drag out the proceedings. But if the WWE can have lumbering, slow-witted ‘giants’ string along the audience needlessly for ratings, why can’t Attack on Titan? Quality aside, it certainly brings in the cash! Just understand what you are getting into.