Descendants of Darkness

darkadonis★ 9

Note: This review has been updated to be consistent with my changing views on anime. Descendants of Darkness is based on the manga of the same name. It follows four major story arcs of the manga. Three episodes comprise each of the first three arcs while the last four episodes focus on the fourth. Since the anime leaves off where the manga caries on (the manga isn't finished either), the ending doesn't really offer a true conclusion and a lot of questions are left unanswered. Fans of the manga might also be disappointed that a lot of the manga's characters are either left out or shovedinto the background. Despite these unfortunate circumstances, I think that the anime more than does the manga justice. In fact, I find it to be an improvement over the manga. While some of the humor and silliness are there, the anime takes on a more serious tone, capitalizing more on the angst, mystery, and supernatural element of the story. The art and music are also absolutely beautiful! Descendants of Darkness has a superb soundtrack which is well worth downloading or even buying! Aside from the characters being beautiful, the monsters and magic are also magnificently rendered. Even though it isn't really a fighting anime, the action sequences should be awesome enough to please those who would otherwise be bored with the drama. The series consists mostly of fairly mediocre characters, yet it has what I consider to be one of the greatest villains in anime history. Tsuzuki and Hisoka are the protagonists of our story. They are likable characters overall. Tsuzuki is a real sweety despite being a little bit dense and childlike at times. Hisoka has a little bit of an attitude problem at first, but once it becomes apparent where he is coming from, you can't help but sympathize with the guy. Watari and Tatsumi are minor characters who had significantly larger roles in the manga. For the most part, they are just there. They don't really add that much to the anime, but they don't detract from it either. The Gushoshin twins are the only characters that could really be considered annoying. This is mostly because they seem a bit out of place (being two cutesy little talking birds in an otherwise human cast). Our antagonist Dr. Muraki gets his own paragraph since no couple of sentences could possibly do him justice. He is the subject of much admiration as well as loathing from DoD fans, and he deserves every bit of both. Practically everything he does is just horrific and despicable, but he is so cool and gorgeous and entertaining that you can almost forgive him for being the monster he is. He desires Tsuzuki's body both carnally and scientifically. The scientific reason is revealed later and it gives Muraki's character quite a bit more depth, though you are longing for much more once the anime ends. While the show isn't technically shounen-ai (gay male romance), it contains a lot of hints and fanservice. It is very easy to read in an attraction between our two heroes. I personally believe in this attraction, but other fans are free to form their own interpretations. Muraki is much less ambiguous and regularly molests Tsuzuki. This lust Muraki has for Tsuzuki is clearly one-sided, but it makes for some rather hot homoerotic material (even though nothing overtly sexual actually happens). The show masquerades a bit as a mystery series. In reality, the mysteries aren't really any big puzzle. As the audience, we basically know that Muraki is behind everything (with the exception of episodes 4-6). And while the story isn't particularly imaginative as far as anime goes, the characters and the art make it more than worthwhile. All in all, I can't think of any reason to dislike this series unless you're either homophobic or a hardcore manga snob. But we can't please everybody, can we?

ephemerry★ 2

Yami no Matsuei is a very, very cringe-worthy series that I used to be into―back when I was in middle school―and then recently decided to revisit as an adult, and, oh boy! This series is badーlike really, really bad! To start out with, the most glorified character in the series is a serial killer, pedophile, scientistーwhose entire motivation for committing all of his heinous, degenerative crimes is to get revenge on his deceased brother by… making him immortal, so he can kill him for all of eternity? The series mentions briefly that Muraki’s parents were killed and his brother was some type of evil, Luciferiansociopath, but what kind of insane devotion is that? Especially when Muraki is a psychopathic killer himself! The irony! •Another strange thing about the murderous diddler (Muraki) is that the series practically ships him with the main character (Tsuzuki) who is immortal, but happened to die and become a spirit-realm detective, for some reason? And while Muraki is set on using Tsuzuki’s decapitated body as his brother’s vessel, it is implied that he actually loves him, or something? Everything in this series is cryptic, not explained, and doesn’t make a bit of sense; the first episode expects you to know that the main cast work for a spirit judiciary, police force without telling you… it only mentions that there’s a spirit councilーin a short narration before the opening theme. •Another weird connection between the central cast of characters is that the main character’s partner (Hisoka) was tortured, raped, and murdered by Muraki, but this is rarely mentioned―outside of the main arc, despite Muraki being the glorified Joker-type character and practically what the entire series revolves around! The most that happens is that he scowls whenever Muraki comes around, because, you know, it’s not like you would want to murder or attack the person that LITERALLY raped you to death or anything! I hate to mention this, but shounen-ai and yaoi series are really bad at emphasizing the seriousness of sexual assault, in fact, it seems like a weird kink in most cases. I played the DRAMAtical Murder visual novel and the plot fetishized Mink spiking Aoba’s drink and date-raping him… and in both the Sekaiichi Hatsukoi Movie: Yokozawa Takafumi no Baai AND the first episode of Dakaretai Otoko 1-i ni Odosarete Imasuーthe protagonist gets drunk, ends up naked in bed with a guy he just met (who’s supposed to be the love interest), and subsequently gets blackmailed into dating him! BL series’ have a strange standard of what’s socially acceptable in a romantic relationship… •There are a few other characters that get little to no screen time and don’t have a purpose to be in the series other than being the passed over, potential love interests that only exist for doujinshi fodder. There’s an accountant that acts as Tsuzuki’s secretary, a scientist that makes useless inventions, a duck mascot character that’s just there for exposition, a female character that it only shows once (whose only purpose is to buy Tsuzuki donuts), an old department manager, Muraki’s kimono-clad friend (it never really explains their relationship or how they met), and an invisible Phantom of the Opera copy-paste who has a zombie butler and no real purpose, other then to perversely fawn over Tsuzuki. •The abysmal storyline is one thing, but the animation is another. For the most part, I think the character designs look really clean, especially for a series made at the beginning of the 21st century; especially with the prevalence of low-quality OVAs during the period that this series airedーsomething that people knew anime for, at the time, since it was something that you could rent from Blockbuster Video and have a short love/hate affair with for the duration of 1-3 episodes. When things like Urotsukidōji permeated through the culture and diluted the public’s consensus towards anime. With that being said, the animation in Descendants of Darkness is appalling! Characters slide across the screen, teleport, and if a character caresses another’s face or wipes away a tear―it looks like a person is dragging a cursor across a screen! Terrifyingly bad! I would prefer ugly character designs to animation that’s THIS freaking bad! •The scripting is poor, nonsensical, and even laughableーat times. The characters are the worst exaggerations of yaoi stereotypes that you can possibly imagine. The animation is some of the worst I’ve ever seen. The only credit that I can give this show is that the character designs and imagery aren’t the worst. Overall, I give this convoluted mess a 2/10.